Over the summer holidays I have been inspired by working in orkney and visting not only skara brae but excavation sites,cairns,ancient graveyards and other such oddities.What interested me more then anything was the objects from these sites that could not be explained.What were they?Nobody seemed to know but rough guesses were they were used for some kind of games.
An excavation site where three layers of settlements were found,medevil,victorian and modern day!An ‘uncertain mess’ of trawlers nets mixed with other pollution.Nortland Castle on Westray Islandan old combine harvester discovered in an old abandoned barnhouseSkara Brae,one of the oldest Neolithic sites in the world.A discovery of strange findings outside some kind of strange house on Hoy island called ‘Charlumpa’an instalation I made from the bones of a bird I found in Hoy.An unkown item burnt out.Remaining parts of a sunk submerine fron the museum in Hoy.Limpet growths from the once submerged submarine window
I also visited Crete for a week before i returned to uni and visited the palace of knossos.One of the oldest discovered palaces.What particualry intersted me was not only the paintings which would of been done super quick whilst the plaster was drying but the vast amount of findings which had been stored at the Herakilion museum such as clay objects with there arms risen up in a cult like worship,giant burial vases one which showed the skelton still inside it.A board game with the rules unknown.I realised that it wasn’t what was known that interested me but what wasn’t.Which is what give me such a morbid obsession with death because there is so much that is unknown in regards to after we die but the greeks has such a fascination with it that they made up a whole universe and characters that would look after you after death such as Thanatos who would come to carry you off when your time given by the fates had expired.Objects made to look like this god were also to be found in this museum.
A burial vase.Believed to be clay utensils for liquid with a double spout.But I love how eerie they lookOne of my favorite figures due to how ominous it was without it’s head.
Returning to uni I found it really hard to get into the swing of things so decided to help inspire myself and my morbid curiosity that i would take myself to Surgeons Hall (a place i have never visted even after 10 years of living in Edinburgh) it was extemely worth a vist with miles and miles of basicaly body parts in phthalimide that had either suffered certain fates or had a tumour/disase,tumor,bones and other such items of morbid curiosities.Unlike the Greek/neolithic findings there was much known about these findings.Photo’s weren’t allowed for the obvious reason of the items being body parts but sketches were. One item I found particualry interesting as random as it may seem was the rib sternum in particular the shape it inspired me and made me think of what a wonderful headpiece the shape of the sternum would make,I thought of this,the god Thanos and prehaps an alternate surreal universe where a cult of white clothed figures lived,the leader where the rib sternum as a had piece.
Rib sternum headpiece imagined.Sketch of Rib sternum without ribs attached.
After recently having watched ‘Keep sweet:Pray and obey’ I thought of how all the morman women were required to dress the same.Same hairstyle,clothing etc within a particular sect a polygamous Fundamentalist Church of Jesus Christ of Latter-Day Saints, an offshoot of mainstream Mormonism.The women were required to do a dance infront of the men in order to ‘keep them sweet’ and what if this particular cult of white clothed figures did the same.
Female Morman’s dressed in cerimonial white after the death of their leader Warren S Jeffs.
Female mormans of this particular off branch were expected to have their hair styled in one of four particular ways aswell as a certain dress code.
A world where nothing is quite understood we can only guess,a world of darkness,mystery,weirdness and alure.I felt that last semesters work was too dark and heavy and it made me miss the light surreal tones of the semester before.So I feel like moving forward I wanted to mix the best of both worlds altho I haven’t yet worked out if i want there to be a serious message behind this cult (prehaps about removal of female identity?) or just completely nonsensical but this will be something that i imagine will come to light as I work further through the project.
My first stop tho is to make the rib sternum into a headpiece.My first consideration is whether or not I should first make a maquette from card or not and how much of the rib sternum I want to make,do i want the ribs included or just the sternum?Should i make a maquette of both and which would have most impact?
After painting out one of the creatures in black ink I felt that it would transfer really well into waterless lithography which is a technique i tried out last year due to the bold and gestural paintmarks.
The white voile sheet i hope to cover myself in is inspired by Loie Fuller.I hope to experiment with movement and light when I am within the voile.
sewed together piece of the rib sternum of prepared scrunch brown packaging paper with black ink,An imagining of the cult together dancing.
Tomorow i have a visit to the Hawkhill museum college and hope to take sketches of further odditities particualry from the pathology department to add to my research collection.
This week was mostly about tying up loose ends in regards to video work and looking at how I could pull all my work together and display it for assessment.
Firstly,I decided to add some music over both edits of the Red Lady and the flag combo.I decided to use music that gave the feeling of tension with a beat that seemed to echo that of a heartbeat as I felt that it was important that the viewer felt the tension and fear that the red lady feels.The swishing had a space-like feel which I felt added to the dystophian feel behind it.
The Halloween edit gave more of a creepy vibe then the tension I was seeking but being a sucker for a baseline I decided to make this edit anyway as i felt like the flash imagery worked well with the beat.
Collaboration
I got asked by a fourth year Claire Gamble if I would want to collaborate with her in a photoshoot which would be shot by a local photographer (Lydia Smith Dundee) as she was making viking styled jewlery and thought it would be a great idea to incorperate the Red Lady’s asthetics with it.So I modeled holding an old book with jewlery on it,a challice with earings in it and a stuffed crow on a branch with jewlerry hanging from the branch.There was a white mark which had appeared on the hood of the cloak which Claire tried to remove with a wet wipe which ended up leaving a wet mark on the hood which the photographer wasn’t happy about.It was decided to tie a shoulder throw made from crow feather around the hood area.I agreed to this altho it doesn’t particualry go with my aethetic.Upon viewing the photo’s afterwards i realised it looked more like hair and I can’t say i was a fan of it but these photo’s were to be used by Claire for her degree work mostly so I didn’t say anything and luckily the wet hood dried for the ‘in character’ shots that I did. I particulary like some shots that were done using red lighting and the ones which were up close to my eyes are it looked like I was going to cry (but really I just had hayfever eyes that day haha).Sadly the photo’s are not yet availible so i’m not able to post them to the blog but hopefully in the future they will be so that I can add them here.
Displaying for assessment.
It’s difficult to get a real perspective from this photo alone but I had originally envisioned having the head cage up on a plynth as I felt that it was a very important part of the story so I wanted to draw attention to it but I felt that it would distract from any other found items/sculptures I also found that the other pynths weren’t long enough for the other items particulary the long spear shaped found item.A class mate suggested turning the longer plynth on it’s side.I liked this idea height wise because it instantly makes the audience member crouch down and therefore starts to get them actively ‘involved’The table was too basic
Dirt!I decided that why not involve the audience member in what I found most exciting,which was a huge part of the process and also part of the story an archaelogical dig/found items
Digging style tool used by Archaeologists which has a similar shape to the digger tool that I forged
I decided to merge alot of the strong ideas together for the final assesment piece.I took Maria Fusco’s advice and filmed a performance piece where the Red Lady appears and leaves her mark and tell’s her story by making cave-like paintings.I felt that it was important to partially use natural colourings due to the Red Lady’s surrounding being the woods, so I mixed the compost used for the dig in a little water and used a mixture of sticks and an electric cable to paint the images I also mixed the red paint with compost water to give it a darker grungier tone.I also used the cable to scratch in some detail to show frustration,anger and a feeling of being on edge.It also helped with the primitive feel.
I felt that the reverb of the door slamming went well with the reverb present in the music.I wanted the movement of the red lady painting herself to be almost as if she was praying and moving in a hypnotic motion.
The image on the right is her abusive husband warning her not to meet or gossip with others.Gossiping and singing with friends.This is my favourite image due to the simplicity.The blood Robots have arrived sent by her busband to kill her by draining her of her blood which helps keep their lights bright and the rest of the village.Instead of painting over it i decided to use the coffee stain on the plynth as the full moon which powers ‘the tree that bleeds’Unbeknown to the blood robots the Red lady’s spirit is eternalised due to the eternal powers of the blood from the tree that bleeds she is also given able to time travel.Kerpowww!The red lady is back to seek revenge on her husband,men and to warn women of the past and what is to come so that history stops repeating itself.
The red lady then uses her time traveling powers to travel through different decades leaving items and hints at what is to become the future for women if they don’t act now.
“Nolite te bastardes carborundorum”
(Don’t let the bastards grind you down) (Margret Atwood 1985)
The handmaids tale has played a huge part in this project I think more subconciously then conciously as I am a big fan of the books and TV series. Something that has echoed in my mind is that in the second book ‘The Testaments’ there is a chapter where many decades on into the future diaries are found written by Ofred which then become artifiacts as the historians try to piece together what happened and I like to think that about the ‘unknown artifacts’ left by the Red Lady as people try to piece together what these items are and where they have come from.
I have been following a facebook group for a while called ‘Remebering the accused witches of Scotland’ which is a petition which has been started to get the goverment to issue a public apology for the hanging of scottish witches. I found that this radio programme discussed the issue in more depth.
Also the fact that woman are still being painted as ‘witches’ in today’s society should they be too outspoken.So really how much has changed?Particulary in the sense of abortion laws being brought back into states in America by states either goverend by ‘christian’ males or ‘christian’ females but more often then not males. This is why I felt that it is important that the narrative that the red lady is trying to tell is that the past is going to repeat itself in the future if the change doesn’t happen now.I feel like the rust on the items particualary the headcage ties in with these ‘age old’ laws and ways of thinking.And yes,some of the items may look medevil but it is a physical representation of age old laws making a revival.
This article lists the states which have banned abortions.A woven piece of wood which looks like a vagina a symbol of the female being entrapped and restrained.The piece of card with the red paint was initally used to paint off of during the performance piece and the test piece that i did on lining paper but I felt was a strong piece in it’s resemblence of bloodshedI wanted some of the prints to look like little gifts from the red lady to the audience to enable to give us little clues of her past.Final resolved display.
I think I am mostly happy with the resolved display altho I would of liked use of the projectors so that I could of had my video work of the red lady and the flag displayed over it. As this is an important part of my work but I understand that projectors are prioritized to fourth years at this time of the year.I also wish I had more space so that things could be laid out a bit better but hopefully that oppertunity will come in maybe third year and hopefully fourth year. But I feel like all in all I have used all media’s to the best of my ability and tried to pull them all together along with the performative and story-telling aspect.I hope that the audience are able to participate and feel a sense of excitement,thrill,horror but also take into consideration the more serious undertones.
I feel like my creative journey to get to this stage has been a bumpy yet exciting ride,I am firstly super glad that I differed so that i was able to use the workshops and really draw them into my practice. I have learnt alot of new skills through them which I hope to take into my future practice. Secondly, I have learnt the importance of a strong narrative from speaking to Maria Fusco which had a really strong impact on my work as I felt like the narrative had to many loopholes and was too ‘lost’ prior to speaking to her.I feel like the mixture of story telling with the feminist undertones has relayed real problems that are still current for women in today’s society.
This week I edited some images from photo’s I had taken at Roslyn country park a few weeks ago.I felt inspired by a scene in Pan’s laberynth where Ofelia climbs inside the dark looking tree where a toad lives with a key in it’s mouth.Mixed with ‘The tree of the dead’ in Sleepy Hollow which of the grave of the ‘Headless horseman’ and contains the bodies of all his victims.I felt that the image of this tree would help piece together some of the story telling in regards to the main character.Prehaps this is where she was tortured and once a year the tree bleeds reminding everyone of her final resting place.The white filter on the tree was my favourite as there is a better contrast with the blood.I also altered the colour of garlic grass surrounding the tree to a black looking mould to add to the feeling of decay.
‘The tree of the dead’ containing the victims of the Headless horseman.
A haunting
I decided to use a couple of filters on some pre-exsisting images taken at Roslyn Country park.I felt that it was quite symbolic the removal of the face as by being silenced she had lost her identity,it also connected with the hole in the tree.This image of the woods at Balgay had red lighting without even a filter being used which I felt was perfect.
Flag
if the hole was even slightly too big then the eyelet would fall through,was a bit of struggle to get it to the right size!Hurrah!An eyelet is born!The kit I had bought seemed to be more for leather punching then materialAs advised by the welding technician i measured the distance between the eyelet as this would then be the distance that would need to be measured out on the flag pole as i would make hooks there.I also measured how long I would want the flag pole with a little extra left at the top of the flag for some kind of design (which i’m still slightly undecided on)
Due to illness,the technician had to cancel the forging of the flag pole for this week but I’m going to try and get booked back in for hopefully next week or the week after.The 4th years have the workshop from the 1st April onwards so hopefully I can get booked in before then!
One of the least patriotic flag making video’s I could find.And the technique seemed the easiest.I drew up a similar design and took it to the technician who agreed.
Found objects
I found the metal looking grill on the beach and decided it would be great to use for weavingI found the middle object at the beach and felt that it looked similar to the Red Lady’s symbol.The weaving has a troubled anxious feel to it.The feeling of a tangled web or something that would be done with repitision whilst the person worried.Following on from the binding theme I decided to hang this almost hang man figure to the wall.The split at the bottom of the ropegiving the inanimate object legs and a life of it’s own.
I travelled to Balmerino again on order to beachcomb.The tide was very nearly in but not quite (I keep wrongly judging the tide times online) so I managed to have a quick rumage and somehow pull this light from the beach which must once upon a time of belonged to a ship.Water had entered the lighbulb and it had little growths on the bulb also which made it all the more interesting!I feel that adding the lightbulb as a found object will give more of a ‘dystophian’ theme as i feel that everything else that i have made is more medevil.
What I imagine was once the end of a wall?A burnt almost snakeskin looking effect cast onto stoneI wanted to take this whole stick home but it proved too heavy to carry and kept getting metal splinters in my hand so I just kept the metal triangle.
1 to 1 tutorial and written work.
This week I decided to have a 1 to 1 with the amazing Maria Fusco,her advice really pointed out what my work had been missing,a stronger narrative, Maria posed the question; ‘Are we visting The Red Lady or is she visting us?And that since the Red Lady doesn’t have a voice what about visiting one of the locations I have been to and doing some impromptu writing?So I wrote the following;
Underground.
The damp moist leafs.The smell of dirt rich in my nostrils.The smell of pine needles my only relief.
I scream,the birds fly.
These creatures, they reach unbelievable places,
Don’t.
The box is too tight.
But that’s the point, isn’t it?
Discomfort,pain,agony and torture because I felt too much pleasure. I felt too alive and now they want me dead.
My legs are bound. No such thing as wriggle room.
I had too much wriggle room.
My head is caged so they can hear my screams.
They.
Females,women,girls.
And god forbid the animals should cause such a racket.
My face is hot.
The cage is heavy.
I try to kick the top of the box with my bound legs.
Of course, they made it too high.
The creatures itch, they tear at my skin.
I welcome death now,
I demand death now.
But I also demand
HIS.
The Cage.
The cage.The dreaded cage.The cold hard steel weighs heavy on my limbs.My view is partial.
Too many friends,
Too joyus.
He never had any.
I did.
My hands are blue.
I don’t talk now.
My throat is seared with heat.Dry hoarse heat.
This death is too long.
It’s night now.
Or is it?
My hands are heavy.
Pulling.Something is pulling.
Is he coming back for me?
Please don’t.
My ribs, piercing like sharpened daggers straight into my lungs.
The rope is too tight.
Mock me.That’s okay,it reminds me I’m still alive.
I’m cold
My ribs hurt
My hands are heavy
I don’t forget.
We also talked about how my work would be displayed in an exhibition context and how would the red lady visit?By the touching/moving of these artifacts do we bring her alive?Is she upset by changes in her environment? No matter what decade in which they should occur?Maria also suggested that aswell as having the artificats laid out and the video’s playing what if she enters the room and paints on the wall with the twine/straw.The item is then left aswell as the painting telling part of her story and adding to her own personal narrative and Maria also posed the question how would she of been able to paint herself in the other paintings that i had done.How would she know what she looked like?And that prehaps these paintings were best left as records of what happened by locals adding to the story.
Maria mentioned the playwright Pirandello Web and his play ‘six characters in search of an author’In this play the characters visit the audience in search of an author to make their characters more ‘complete’Prehaps the Red lady will visit the audience in order for the audience to give her her ‘voice’ by understanding her paintings.
Maria had suggested one of her own pieces of work ‘Master rock’ mainly due to all the different elements that came together to create this ‘experimental drama’ it was interesting to think of all the different narratives combined from the poetry to using the narative of a survivor called a ‘tunnel tiger’ who dug through the mountain and was the only person to survive,to an artistical mural and a musician as the voice of the Master Rock. It made me wonder if prehaps I could bring spoken word back in and prehaps use it over the videos.
Another person mentioned was the writer Ursula K. Le Guin and her science fiction based short stories ‘The Buffalo Girls’ which features a dystophian world and a play which is currently on at the Royal Court.
The play features a woman in a windowless cell in an Asylum in 1863,the audience visits her there where she has no memory of whom she is and becomes the accomplice of a medium who requires a new assistant.Altho I like this narrative I think that it’s all too common that we visit the character and what is expected instead of the character visiting us which changes the whole dynamic.
This week I was working between a mixture of disaplines (my favourite thing to do) I started off the week by learning another skill in forging which was to ‘draw out the metal’ in order to make a small spade like tool.I felt that it worked well with my theme and provided another ‘artifact’
In order to make the flat end the metal had to be ‘drawn out’ by heating then hitting the metal from the top to the bottom of the heated section.The metal then had to be hit hard on the edge of the axel in order to create the ridge. The bottom half was also made by drawing out the metal and tapping the metal whilst rotating it on the axel and the twist (which is allways my favourite part) was made by simply heating the metal and twisting with a vice before brushing it over with a golden bristled brush for added effect.
For some reason my wrist and fingers were really hurting with the hitting that day.I blamed it on not using my favourite hammer but the technician told me this wasn’t true.I also prefer to use a lighter hammer as otherwise it puts too much strain on my wrist and I only have tiny wrists.The technician said that not everyone is built for forging and that if it hurts too much it’s ok to stop.But as they say ‘Mumma didn’t make no quitter’ haha
I decided to start the waterless lithography process for making a flag with the symbol on it. The process was deffinatley alot more then I expected and very meticulous.The process deffinately wasn’t as long as the foundry one tho.First the plates had to be cleaned with acetone,then scrubbed twice (with a liquid i think had silicon in it),rinsed and then a liquid applied which had a mixture of wheel cleaner and silicon in it before being dried off with newsprint before the design got painted on.I decided to use light washed down toner on one sheet and undiluted toner on another and a layer of silone with white spirits applied.The sheets then had to be left to dry over night before booking another session.I then had to use a heat gun on the design so that it would set into the aluminum sheet.To start with I didn’t have the heat gun close enough so the design hadn’t set and then i had it too close and the heat had travelled back up the gun causing smoke to billow out! (apparently this has never happened before) the gun had to be left at an open window to cool down!
Once the ink was rolled up I then applied the ink by rolling it on I then put the design under the electric roller.It was interesting experimenting with more and less ink just to see how the final design would turn out.It was also hard sometimes to apply enough pressure so the ink would mark the plate showing up on the paper.I did lots of practice prints on newsprint.I was advised by the teacher to maybe go smaller on the design next time as it was too big for the paper and mounting board and would mark the sheet. There seemed to be a small part of the print missing on sheet i liked the most which may of been due to missing that section with the heatgun.The technician advised that waterless lithography would never be perfect and at some stage you just have to come to terms with what you have.But I find that really hard to do unless it is a ‘happy accident’ and i like the end result. Luckily as a back up I painted with acrylic onto some transfer paper the design but due to time limitations I have had to book another session next to do that in.
Image painted with acyrilic onto transfer paper.
Next week I aim to try printing with the transfer paper and maybe try printing onto cloth and seeing how it goes.I can feel my impatience kicking in as I feel deperate to see the design as a flag allready but printing requires alot of patience which hopefully I will slowly learn that patience can pay off and results aren’t allways going to be instant but something that can slowly be worked on in time.
Scold’s Bridle which I viewed in the Mcmanus Gallery.A drawing made with sticks of the head cage derived from the Scold’s bridle.I wanted the painting to look almost primative and that it had prehaps been etched onto a wall or painted into a story book I used brown paper to help heighten this effect.I think I may use this effect to story tell with images.
I bound together the straw and willow branch with plaited twine.I felt like this was almost ritualistic and needed to be done as part of the process.The object was bound together which is a popular practice within witchcraft in order to protect someone or something.The object had ambiguity in working wel not only as a sculpure but also as a prop and painting tool.
I felt that the action of binding with the straw fit in quite well with a couple of the reasons witches may do binding. Particulary ‘controling a person’s behaviour,thoughts or emotions’
I then flicked the branch up and down in the paint before using it to paint the image of the red lady on the wall.The image looked as if it had been drawn with bloody nails and even the red paint that the straw lay in had a gory looking after effect to it.
I felt that this image worked well to represent the ghostly yet ghouly image of the red lady that would of been etched into every child and women’s head.‘Forever watching,forever waiting’
I deffinately felt that my work connected rather well with Cy Twombly’s lines.I thought it would maybe interesting to hand the things I make from the beach onto this tree.Oink!Found the marking on this piece of rock really interestingThe door to the abbey.A place where i hope to do potential filming I just need to find someone to film!Thought there was something really haunting about these lines as they reminded me of nail marks and the Cy Twomby painting above.Sadly these parts of the Abbey aren’t structurely safe enough to walk amongst.My favourite two findings are the rusted stick and rusted shape heart, I feel like they are just screaming to be welded together!!I wonder what they belonged to originally?
This week was a busy week,inductions and my very first face to face crit since coming back!
But first of all we’ll start off with the Blacksmithing induction.
My intial idea was to make a shaman’s staff but it turned out that that idea was a little too adventurous. First of all we took some industrial metal rods and cut them up,We then filed the sharp edges off ready for heating up in the machine (of which I have forgotten the name)The rod slid into the machine but wasn’t able to touch to sides of the coil it went into otherwise you may be given an electric shock so the teacher had made a stand to use so that you could easily slide the metal into the machine.
This machine was used to remove any sharp edges on the metal.The metal must be held at either a 45 degrees angle or straight against it so that it didn’t get caught and fly from your hands.The machine used for heating the rod up.All of the grey scale from the metal must be gone and the metal must be yellow in colour before the metal is ready to be hammeredThe axel is what is used to lay whatever your hammering onto.In order to add the twist the metal but be clamped into the vice then clamped again and twisted.Depnding on how tight or how far you twisted the metal effected the final outcome of the lines!If the stick was slighly out of shape a cow hide hammer which is softer would help mould it back into shape.This was best done not when the metal had returned to it’s grey colour but still hot.The stick must be kept close to the leg and when hammering you must hold the hammer from the middle because as I found out,if you don’t it strains your wrist and makes everything much harder work then it allready is!In order to achieve the tip the metal must be continously hit from a certain angle whilst the metal is rolled to make sure all angles are equal.I found this very difficult to achieve especially within the time limit of trying to do it before the metal cooled again.As you can see the angle is still slightly off but not too bad for a first try.The gold tip was created simply by using a metal brush with gold coated steel wire on it which then transfered onto the mental when brushed with it whilst still hot.
Altho the idea was initatlly to make a shaman’s staff I feel that it was important to get the technique right first before trying anything more adventurous plus I ended up making an interesting looking arrow/wand which really isn’t too bad at all!
So for my crit this week I decided to use a performance art technique which I had seen used in the past.I told the handful of people in my crit to sit on the floor and i had choosen a spot in which to put a chair with the symbol i had choosen for my character above it.I went and put on my head piece and retrieved the arrow whilst letting suspense grow.I had also painted the symbol on my eye and was wearing the red cloak.
The feedback was what I was hoping to achieve,so therefore i felt that the crit was sucessful.Some of the feedback was as follows; ‘I hated it,I felt as if I was loosing my nerve.’ (this was from the woman whom squirmed) haha.
‘Sitting on the floor felt like being in a position of weakness,I felt small and un-nerved’
‘The symbol had an egyptian feel and made you look almost like a Spynx’
‘Thou shall not pass’
‘Dystophian,handmaids tale’
‘Alien like’
‘Plague mask’
‘Make-up very sci-fi,should of disapered mid way through someone elses crit and came back with it on’
‘It went from a fanciful fairytale to scifi’
‘Was wondering if there was going to be a speach’
‘Noise brought you back into the room’
It was suggested that i could also of used the staff/wand/arrow to point at different people.
In the future I could do a performance piece within the uni where I jump out on people.
Piece was reminiscent of Marina Abramovic where she sits and stares individually at each person who ques to sit infront of her.
I felt that personally I got the reaction that i wanted from the audience but as the tutor said it would of been interesting to see if i could of held composure should people of not of had their masks on.Which made me wonder how the people I saw do it how they managed.What did they think of?
I think i do want to use the staff as part of the act in the future as I feel that this character should remain silent and reaction should be caused by her movement and eye contact.Part of her back story is that she was tortured for being a tale tale and not allowed to speak so she inserts her control using other methods.I allways remember growing up that when me and my friend had been up to mischief her mum wouldn’t even say anything she would just give us a look that was more scornful and terrifying then a telling could possibly ever be and that it the kind of power that i want this character to purvey.
I don’t know how confident i feel about staring at people within the uni.I suppose within an art school environment your pretty safe but it’s deffinately not something I would want to try in public.I feel that i am happy to perform in a space that has been organised to perform in and I am interested in making short films but that is it.Ofcourse the publics reaction is allways going to be more interesting but there is also nothing more unpredictable or volatile then the general public and having worked with them for many years I wouldn’t feel safe,I mean after all a member of the public held a handgun to Marina Abramovics head when he was given the opertunity so anything is possible.
Is there anything more powerful then a stare?The eyes are the windows to our souls after all.
Lazercutting and Lino printing
I found lazercutting alot more technical then I thought it would be.I really struggle with anything technical due to my dyspraxia.I have a short term memory because of this and because there are so many instructions with anything digital/technical i get lost really easily and have to keep asking the tutor to repeat themselves.I still really enjoyed the process especially how unpredictable the end image is.I felt that my image turned out closer to the original image then anyone elses did as there’s were alot more detailed then mine.The small dots made by the lazer gave it a real pop art feel.It was difficult to get the esact right amount of ink on the lino cut (i have in the past put too much) and then when i got the right amount i managed to get a flek of ink in the middle of the symbol.It’s also difficult to get the print straight on the paper.But practice makes perfect and prints are deffinately something I want to take further in my work so I am currently in the process of booking an induction with the main print workshop.
Sandcasting.
Sandcasting was such a long and complex process,again alot longer then I thought it would be.The technician advised me that the process would normally be done over a couple of days but due to the restrictions and class sizes it now has to be done in a day.
The biscuits were first glued to a board of sorts,had a special kind of sand with oil in it added then a cast was made of that before the boards were drilled together and the liquid bronze poured in.Before this could happen tho it had to reach a certain temparture. (this was checked regulary by using a probe)The liquid travelled down the funnels made in the sand down to where the biscuit casts were.
The biscuits casts were then sanded down to get rid of the rough edges before being sandblasted.They were then taken to be painted using a certain paint that needed to be applied by using the heat of a welding gun.I choose to go for emerald green and magenta/blue.The biscuits then had waxed applied and were polished to bring closer attention to detail.
Before the paint and polishAfter the paint and polishThe outcome was deffinately worth the wait but I just don’t think I could see myself using the foundry in the future.I found the process far too time comsuming.Maybe it has something to do with my very short attention span but I like to work on serval things at the same time and sandcasting doesn’t really allow time for that and what if you go through such a long process just for the outcome not to be what you expected?!?I am glad however that I gave it a try.Nothing ventured nothing gained.
And for my next trick..
This weekend I plan on making a black and white silent movie in the woods.It will involve the character pacing amongst the trees and disapearing from one area then re-appearing in the next.I also have an idea for the character screaming at the camera in a silent rage.I would like to experiment with different music and sound in the background.(Hopefully I can get some asistance from the i.t lab with this)I like the thought of white noise playing whilst she screams but these things don’t allways turn out quite as you expect. This weekend I plan on making a black and white silent movie in the woods.It will involve the character pacing amongst the trees and disapearing from one area then re-appearing in the next.I also have an idea for the character screaming at the camera in a silent rage.I would like to experiment with different music and sound in the background.I like the thought of white noise playing whilst she screams but these things don’t allways turn out quite as you expect.
I have found myself becoming inspired by a mixture of different cultures,from witchcraft,to shamans to ancient egyptians to vikings!I think mainly because all these things have allways interested me.So it makes sense that i bring all these elements to my work.Oh and the more morbid the better.My Mum was allways worried about my obsession with The Return to Oz as a kid because I especially loved the part where the queen could choose a different head to wear from all the heads she had cut off and I guess my morbid frame of mind has continued ever since!
Objects bound in a banishment spell.
The aesthic,style and strength of a viking woman has allways been something to be admired..I want to bring parts of this into my character and the development.
I find the egyptian eye make up quite inspirational and also the power of the female queens.
I have also started to wonder if the warrior like/strongness of the character has become my alter ego.The strong part of me that has prehaps carried me throught the last few months and prehaps even the last few years.
I’m baaaaaack!And damn it feels good,after a turbulent nearly a year of being homeless,working in Orkney untill I found my feet again I have deffinately come back very reformed and very ready/eager for this semester to begin.
Because I had spent so long ‘out of the game’ it was hard to know where to start.So what better place to start then my blog itself.Looking back on my most previous post I occured and onimous hooded character who never had a chance for the character or costume to develop (certainly not technically anyway so I decided to start there.
I got so excited to start using the workshops that I imediately drew up a plan to make the bone mask into a metal mask and started off by looking at the shapes within the mask and making it more abstract so that it would work more effectively in metal,I also love the process cycle (i think that’s what it’s called) and how and object can change when made using different materials.
Original Bone headpiece using a birds breast bone and skullOmninous character,headpiece could also be flipped.Could the same effect happen using metal?
I decided that the shape made by the breast bone would work more effectively if this shape was cut into the metal.I decided that it would all be made using sheet metal.
I talked over what the process would be with the welding technician,I wanted to individually weld together individual sheets of metal to make the headband to be in keeping with the asthetics of the original piece but we soon realised it would be much easier to just bend a piece of thin metal to the size of my head.(A very big measurement due to my alien sized head)
Used a bucket to bend the metal around then hand clamps to clap it into place before using a clamp to hold it into place and weld it/file down rough edges.drew out the headpiece shape onto sheet mentalUsed a plasma gun to cut the shape out.
I decided that i prefered to use the shape that had fallen out of the sheet of metal rather then the shape that was left in it.Instead,I decided to use this spare sheet of metal to practice using the spot welder on(a piece of machinery which i find genius).I ended up really liking this little demo piece and wishing I could use it for something!I think i will deffinately use a similar technique for a future process.
Once I was confident and happy using the spot welding machine I attempted to attach the copper welding rods to the metal.Via trial and era I realsied that it would be too difficult to use the original one rod that i was intent on using as i wouldn’t be able to successfuly sandwhich the metal plate on top as it wouldn’t balance properly so i instead decided to use three to help the plate on top balance out better.However,once I added the three copper roads altho i intitally thought it looked better once I put it together i felt like it looked worse and that i should of just left it how it was.
Overall i think it was a good first attempt and alot of problem solving helped develop the process and the finished piece in ways I hadn’t expected.
Drawn using the left handContinous linedouble penA couple of developmental pieces drawn using different techniques as part of a process cycle after the handband had been sculpted,I really love how this accentuates the change,
I started working on a short film for this character and also wondered how i could attempt to use her in my crit on Tuesday.I decided that it would be interesting to see how this character could effect other people.I once did a performance workshop where one of the participants simply sat infront of the audience and just stared at each individually individually.I actuall found it really intimadating and felt that this would work well with the darkness of this chracter who is meant to be a mysterious myth and ledgend.
After pulling off the paint from a paint lid i realised it would look pretty cool on the eyeIdea for short black and white movieVariation of styles drawing the characterEye has an egyptian eye feel to it.Need to try out make-up and headpiece.works in progress.
The idea I have for the film would be a black and white silent stop motion style film.The only noise would be the zzzaaaaapp of the teleporting shamans stick/wand that would transport her to different places in the woods.
This week I also decided to visit a couple of local exhibitions to help inspire me again and get the ball rolling a couple of these included the Bauhaus exhibition at the Cooper Gallery.I was super hungry during my visit to this exhibtion so I didn’t spend as much time there as I wished so will re-visit again prehaps later next week altho I’m rather embaressed after mistaking one of the booklets that belonged to the exhibition as a freebie and having to do the walk of shame today in order to give it back.The part of the exhibition that really caught my attention was the black and white video at the end which was a recording of art students talking about the huge ‘gap’ between what was being taught in schools and what was being taught at unversity.This still seems very relevant today,why has nothing changed?!?
I also visted the DCA’S Ray Yen Song and Tako Taal exhibition,my particular favourite being Ray Yen Songs as I loved the mix of media which intertwinned,as it was based on family mythology it made me think about ideas of how i could intertwinne different media’s for my current project aswell as the mythical element.
I loved the textural element of the gown and how it displayed the mysthical creatures faces on it and that the faces of the monster were on everything even the shoes!
I finished off this week by looking at medievil torture devices for the head as mentioned to me in my tutorial the headpiece was quite reminiscent of one of them.Which as i have allways been facinated by the darker side of history but i also love high fashion so why not mix the two together!I also thought that prehaps the headpiece could be part of the characters tale was she tortured and then in turn haunted the land?
Was she pacing the land forever looking to get revenge against thoose who scorned her?The silent movie could be reflective of her now having her voice taken away by the contraption due to tales of her gossiping etc.
I also felt that the head piece had a shamanic feel to it with the one that was made from bone and the one after that so looked at a couple of shamanic headpiece,I feel like it would be interesting to see how the style of some of them would look if created with metal.
I love how the bits with the ovals at both side look similar to that of a woman’s ovaries.
Not being able to see the eyes gives a further air of mystery but how would the character otherwise interact with the audience?
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